According to Barbara Kuon, "owing to the installation the artist managed to save Władysław Strzemiński's work from the passage of time save it from being locked in history of art, from drowning in automated perception, save Strzemiński's revolutionary artistic vision from fading away, save the effect of radical boredom he created from disappearing. The word 'Zeittraum' fully affects the recipients of the installation and Strzemiński's works hidden within it without the knowledge of the meaning of the word or even of the fact that it is about a word at all. However, the reader of this text will undoubtedly understand the connection between Strzemiński, Benjamin and Strunz, who made a similar saving gesture: they jumped out of time."
The catalogue contains photographic documentation of the exhibition and reproductions of Władysław Strzemiński and Katja Strunz's works.
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